bhil Art: Tribal Paintings From India
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DECEMBER 14, 2012•ART, COLLECTIBLES
Amy Lin of Saffronart explores the wonders of Bhil art and their significances
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Bhuri Bai
Untilted
The Story by Saffronart
New York: Tribal art has been gaining popularity in recent years due to the rich cultural heritage it reflects and the bold creations it results in. In a previous post, we discussed Gond art in celebration of the first Indian Folk and Tribal Art Auction held at Saffronart. After with the Gonds, the Bhils are the second largest tribal community in western and central India. Their art focuses on their natural environment filled with songs, rituals, tattoos and folklore. In a new collection on The Story by Saffronart called Rhythms and Rituals, we’re featuring some fantastic pieces from celebrated Bhil artists.
The tradition of Bhil painting first stemmed from the home. Upon visiting a Bhil household, one will discover a delightful myriad of images from myth and folklore adorning their walls and ceilings. Every year, a new plaster of mittichitra (clay relief work) and paintings are applied to the interiors of the house. Pigments are ground from natural materials and leaves and flowers, while brushes are made with neem twigs.
Pithora horses are a common theme among Bhil artists. The traditional painter or lekhindra often paints pithoras as an offering to the goddesses. According to legend, the people of the Kingdom Dharmi Raja have forgotten how to laugh. The brave prince Pithora rode on horseback through a dangerous terrain and brought back laughter and joy from the goddess Bhil painting Himali Harda. Similar to all adivasi tribes, the Bhils live close to nature and lead a largely agricultural life. Their paintings reflect the changing seasons, the natural phenomena that guide their harvest, and the gods that protect them.
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